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Anne Bramard-Blagny, the DOCUMENTARY in the heart

ABB contributes, since 1974, to build an audiovisual heritage based on the research of the true values beyond the borders, generations or beyond any kind of categorization.

After 160 documentaries, conferences and articles which we do not count any more, Anne Bramard-Blagny is not especially dulled.

Having told with Maia Roquelle of Roger Cuvillier's story, the dijonnais which invented the zoom, she found her next Burgundian hero. It is Beaunois Etienne-Jules Marey, inventor of the chronophotography (the image which catch the movement) and the precursor of the cinema. L
ed a project  on an idea and a music of Gréco Casadesus, co-produced with France 3 Bourgogne Franche-Comté, supported by the Regional Council of Franche-Comté and produced by Camera Lucida.


ABB Reportages is a Limited Company based on a capital of 1000 Euros, which was founded by Anne Bramard-Blagny to support her activities as an author and producer and to keep control over the production of her projects. Jean Francois Joffre and Paul Blagny, both lawyers, are the co-owners of the company which regularly employs ten people.

Anne Bramard-Blagny writes, realizes and produces documentaries to be distributed over public and private channels. She develops projects corresponding to her personal interests and continues to distribute documentaries, she made with Latitudes and Zoom Zoom Productions, for which she benefited from the help of the CEE and MEDIA.

Her catalogue of documentaries contains 160 titles. The first movies – created for young people – are now handled by eight distributers, two in Canada and Italy, which makes the company permanently active. These movies are still relevant today and not becoming dated thanks to the technology used at that time.

The most recent documentaries cause a considerable activity in terms of story writing, production, communication and distribution.
The last project, which dealt with Olivier Greif, was one of the best projects of Anne Bramard-Blagny.
Concerning story writing, Anne has the possibility to develop her ideas whilst resident artist of the Abbey La Prée.
Concerning production, the documentary attracted funding from major financiers of contemporary music.
Concerning broadcasting, it has been broadcasted during three weeks on MEZZO.
Concerning communication, there was a preview at the SACEM (society of authors, composers and editors of music).
Concerning distribution, one month after the appearance of the film, ABB Reportages had six distributors and bookings for the film to be shown at six festivals.
“Music and Brain” is the current project.
 
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